Monday, February 13, 2012

The American Scholar



"But the final value of action, like that of books, and better than books, is, that it is a resource. That great principle of Undulation in nature, that shows itself in the inspiring and expiring of the breath; in desire and satiety; in the ebb and flow of the sea; in day and night; in heat and cold; and as yet more deeply ingrained in every atom and every fluid, is known to us under the name of Polarity, — these "fits of easy transmission and reflection," as Newton called them, are the law of nature because they are the law of spirit." - Ralph Waldo Emerson

At the time of Ralph Waldo Emerson's address to the Phi Beta Kappa Society at Cambridge, America was in a bit of a slump; see, they had just declared independence from British rule sixty years earlier, and continued to display signs of European influence.  Troubled by their lack of ingenuity, Emerson spoke to incite inspiration in the minds and hearts of young American thinkers; he called on them to think creatively, to read critically, and to cultivate a knowledge and understanding entirely their own.  Of the many themes Emerson touched on, the need to look forward was one of my favorites:

"They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; — cinders and smoke there may be, but not yet flame. There are creative manners, there are creative actions, and creative words; manners, actions, words, that is, indicative of no custom or authority, but springing spontaneous from the mind's own sense of good and fair."

All too often we are encouraged to read books of the past to make prudent decisions for the future, and in some respects, that is an acceptable course to take; however, what (I think) Emerson is trying to say, is that sometimes the works of history grow stale over time, they do not hold entirely the same meanings as they used to, and instead of looking back for answers, we should make construct some ourselves.  He urges the audience to become proponents of their own education; college can teach you how to vocabulary and facts, but it is how you use and develop those skills that truly make you wholesome.  Emerson also encouraged his listeners to learn from their own experiences; instead of regurgitating information from text like bookworm, he wanted them to go out and make sense of the world on their own.  Only that way could they be creative enough to move their country forward culturally, politically and intellectually. 




Tuesday, February 7, 2012

Journey Narrative

The Motorcycle Diaries




The Motorcycle Diaries is a memoir turned motion picture chronicling the travels of a 23-year-old medical student by the name of Ernesto “Che” Guevara, and his close friend and biochemist, 29-year-old Alberto Granado.  Only a semester away from completing his medical degree, Guevara left home in Buenos Aires, Argentina for a year to explore the South America that he and Granado had only studied in books.  Departing Buenos Aires on their unreliable Norton 500 motorcycle, which they lovingly called “La Poderosa”, they trekked through Argentina, Chile, Peru, Ecuador, Columbia, Venezuela, Panama, and Miami before returning home to Buenos Aires.  Over the course of this eye-opening expedition into the heart of Latin America, Guevara and Granado undergo a myriad of experiences that undoubtedly pull them closer to the natural beauty of the land and the indigenous peasantry populating it.

After witnessing social injustice in form of poverty, political oppression, and disenfranchisement among other things, Guevara returns home to complete his studies a changed man forever.  Inspired by the events and people of his road trip, Che no longer wants to practice medicine; instead, guided by Marxist ideals, he goes on to become a primary figure leading the Cuban Revolution against the regime of dictator Fulgencio Batista between 1953 and 1959.  His devotion to the poor and natural longing for something better, transformed him into the iconic revolutionary that he later became.

Che’s geographical journey as a temporal development is very much parallel to the short stories we have read for class; for example, Guevara embarks on his journey from the metropolitan city of Buenos Aires to visit less urbanized communities.  By venturing into the untamed lands of Latin America, staying mostly clear of big populated cities, Guevara feels himself being pulled back in time; his experiences in nature in accordance with quality interactions with the various personages he meets along the way, causes Guevara to undergo a mental transformation.  When he returns to Buenos Aires, he finds everything just as he had left it, but now he is a changed man.  As Young Goodman Brown could never see the world the same after his encounters in nature, Ernesto Guevara too could not see politics, people, and nations with the same ignorance that he had before his trip.  As a result, his goals and aspirations changed to meet his newly found devotion to the indigenous peoples of Latin America.  In terms of opposing values, the ones most prevalent in this movie are: poor vs. rich, man vs. government, and imperialism vs. indigenous.


Monday, February 6, 2012

Introduction





Hey guys!  My name is Stephanie but most people call me Steph as you are welcome to do.  I live on an incredibly steep hill (annoying) in the Bernal Heights district of San Francisco, but I am originally from the good ole farm town of Hollister.  I made this blog for my American Literature class at San Francisco State, so hopefully my posts will not be too boring.  On my spare time I love to run, read, bake, search the racks at the thrift store for treasure, and eat! This is my first attempt at blogging so welcome to my little corner of the internet!